There is something insidious at the heart of all faerie tales. That's part of their appeal. In The Story Sisters Hoffman gives us three beautiful daughters living with their single mother in Long Island. The eldest Daughter Elv, has invented, for her two younger sisters, a magical world so intense that they speak their own language. They long for this world over the one in which they live daily. In their faerie tale, buried in the woods in a secret land is where all the good in the world exists. Except that, their real life ain't so bad either. The girls grandparents live pretty well in Manhattan, and they reap the benefits of wealthy benefactors. Not only that, grandma also keeps a place in Paris where the girls go each Spring. Their lives are filled with the kind of parties and events of princesses. In addition, as I mentioned, the girls are each extraordinarily beautiful and accomplished. Both worlds would seem to be a fairy tale. Except...
Semi, not-really spoiler
The underside of the fairy tale is hinted at in the opening of the story, and it's not good. The youngest sister is almost snatched on afternoon walking home from school, her older sister intervenes only to be snatched herself. The details aren't necessarily spelled out, but your imagination will fill in those gaps pretty easily. The middle sister, having been no where nearby when the events took place, has no idea. Claudine, the youngest, stays on the spot where Elv was snatched until miraculously she returns and they rush home together. Elv and Claudine keep there horrible secret for the entirety of the novel, never even speaking of it among themselves.
As adolescence kicks in, Elv becomes more and more rebellious: wearing black, keeping all hours, and having sex. Her mother loses total control over her monster of a teenager, who wreaks irreparable damage on the family, and extreme measures are eventually taken. Elv is locked away in an institution. At the institution, she meets a prince, who is anything but. They spiral together to rock bottom. Meanwhile, Elv's remaining family members do what the can to recover from the events that lead to Elv's incarceration. The family is broken and although there is a suggestion at the end that they are finding their way back there is along road to go.
Hoffman is brilliant, as always, in moments. Tying details about the girls' young life to tales from their faerie world informed - you eventually learn - by Elv's experience during the day she was lost to them. Those details become almost excruciating. The problem is, ultimately, the novel, intentionally or not, is such a heart wrenching illustration of how children get lost and more importantly how grown ups fail them that all the beautiful language can't save it from the ick. Faerie tales have always been about teaching a lesson, told by grown ups, to help children to understand things. This novel is a faerie tale in reverse, except none of the grown ups were listening and that failure eradicates much of the beauty of the novel for this reader.
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